Laying the Groundwork for a Rough Draft

I've been working on laying the groundwork for a new mystery manuscript, the third book in the RM Outdoor Adventures mystery series starring whitewater river ranger Mandy Tanner. The first book, Deadly Currents, was released by Midnight Ink in March this year. The second, Wicked Eddies, will be released in May of 2012, and this third one, that I'm calling Cataract Canyon for now, should be scheduled for May, 2013. I hope to finish the rough draft by Christmas.

Cataract Canyon will take place in Cataract Canyon on the Colorado River south of Moab, Utah. I envision it as a "locked room" style of mystery, but in this case, the room will be the canyon itself. Mandy and her boyfriend Rob Juarez will lead a 5-day whitewater rafting/climbing trip down the canyon in the fall, when very few outfitters lead trips down the canyon. Thus, they'll be isolated. Of course, one of their clients will be murdered, and the killer will sabotage their satellite phone at the same time, cutting the adventurers off from the outside world. Mandy and Rob will be locked into a race to find out who the killer is and to get all of their clients off the river as soon as possible, alive and safe. But the killer will have other ideas ...

To research the location, my husband and I will take our own 5-day whitewater rafting trip down Cataract Canyon in mid-September. I've been outfitting myself with the proper clothing and gear for such a trip and reading about the canyon geology, topography, flora & fauna, Native American ruins, and more. All of this is fodder for the book, stuffing the research file.

What I also do to lay the groundwork for the rough draft of a manuscript is to define the major characters, give them names, and fill out personality profiles for them. I already have personality profiles for Mandy and Rob, and two of their rafting guides who will come with them, Gonzo Gordon and Kendra Lee. However, everyone else, including the climbing guide they hire and the twelve clients that will ride the Colorado River with them, are new characters. So, I've been spending a lot of time getting to know them.

The third major task I take on in this pre-draft phase of a manuscript is to create a scene-by-scene outline. I usually have about 40 scenes in a book, about two to a chapter, for about 20 chapters in an approximately 75,000 word mystery. And by the time I start writing the rough draft, I've usually defined 34-37 of those 40 scenes. The outline is still flexible, allowing for scenes to be added, deleted, or changed, but most of the story is documented in the outline, which expands in length and detail as I write the rough draft. I currently have defined 27 scenes, so I'm about 3/4ths of the way there.

I usually know when it's time to start writing the rough draft. The groundwork has allowed my characters and the plot to become well-enough defined that the characters start talking to me and each other in my head, keeping me up at night. They clamor for their story to be told, and after reining them in for awhile while I nail down the story structure, I finally have to let go and let the story begin. The characters are already talking to me, so I'm thinking and hoping that I'll start writing the rough draft some time next week.